Dettaglio del documento
- Login
- Details
- Unimarc
| eBook | ||
| Monografia | ||
| Description | *Digital imaging of artefacts : developments in methods and aims / edited by Kate Kelley and Rachel K.L. Wood. - Oxford : Archaeopress Publishing Ltd, [2018] ©2018 1 online resource (x, 182 pages) : color illustrations, maps |
|
| Note | Formato pdf/epub Accesso riservato secondo le condizioni contrattuali https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2295652 |
|
| ISBN | 9781789690262 | |
| 1789690269 | ||
| 9781789690255 | ||
| 1789690250 | ||
| Series | Access archaeology | |
| Coauthor |
|
|
|
||
| Publication year | 2018 | |
| has for other title | Digital imaging of artifacts | |
| Contents note | Introduction /. Kate Kelley and Rachel K.L. Wood --. Potential and limitations of 3D digital methods applied to ancient cultural heritage: insights from a professional 3D practitioner /. Steven Dey --. The potential of hyperspectral imaging for researching colour on artefacts /. David Howell --. A structured light approach to imaging ancient Near Eastern cylinder seals: how efficient 3D imaging may facilitate corpus-wide research /. Jacob. L. Dahl, Jonathon. S. Hare, Kate Kelley, Kirk Martinez, and David Young --. The digital microscope and multi-scale observation in the study of lapidary manufacturing techniques. A methodological approach for the preliminary phase of analysis in situ /. Elise Morero, Hara Procopiou, Jeremy Johns, Roberto Vargiolu, and Hassan Zahouani --. Imaging seals and coins with various light angles and spectra: consequences for understanding and representing colour and relief /. Hendrik Hameeuw --. Prehistoric stone sculptures at the Gregorio Aguilar Barea Museum, Nicaragua: photogrammetry practices and Digital Immersive Virtual Environment applications for archaeology /. Alexander Geurds, Juan Aguilar, and Fiona McKendrick --. A multispectral imaging and 3D modelling project on the Arundel Marbles /. Alison Pollard --. The Khosro Cup Replication Project: 3D imaging for a temporary exhibition /. Rachel K.L. Wood |