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Contemporary music review
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| Testo a stampa (moderno) | |
| Periodico | |
| Codice SBN | LO10326138 |
| Descrizione | *Contemporary music review Vol. 1, pt. 1 (Oct. 1984)- Chur ; London : Harwood Academic Publishers, 1984 v. ; 23 cm |
| Note | Semestrale L'editore varia Il formato varia La periodicita varia. |
| ACNP | PT01086273 |
| ISSN | 07494467 |
| Luogo pubblicazione | Londra |
| Contiene | 11 Monografie |
| Anno pubblicazione | 1984 |
| Altri titoli | Listening. |
| Musical thought at IRCAM | |
| Music and psychology: a mutual regard. | |
| Music and the cognitive sciences : proceedings from the Sumposium on music and the cognitive sciences, 14-18 march 1988, Centre National d'Art et de Culture Georges Pompidou, Paris, France. | |
| Listening 2. | |
| Music, mind and structure. | |
| Music and text : dedicated to the memory of Benjamin Britten. | |
| New tonality. | |
| Live electronics. | |
| Contemporary percussion : performer's perspectives. | |
| Time in contemporary music thought. | |
| Music, society and imagination in contemporary France. | |
| Music and the cognitive sciences 1990 : proceedings of Cambridge Conference on music and the cognitive sciences, 1990 | |
| Flute and Shakuhachi. | |
| Timbre composition in electroacoustic music | |
| American composers: the emerging generation | |
| Reclaiming the muse | |
| Performers on performance | |
| Xenakis studies: in memoriam | |
| Toru Takemitsu memorial edition | |
| The laptop and electronic music: shapeshifting tool or musical instrument? | |
| Microtones and microtonalities | |
| Evolutionary music: at the crossroards of evolutionary computing and musicology | |
| Helmut Lachenmann : inward beauty | |
| Edgar Varèse... offerings | |
| Edgard Varèse... New worlds | |
| Helmut Lachenmann : music with matches | |
| Horacio Vaggione: composition Theory | |
| Models & artifice : the collected writings of Tristan Murail. | |
| Internet music | |
| Bodily instruments and instrumental bodies | |
| Musical hybrids : sonic intermedia in Australia | |
| Music theory and contemporary music | |
| Improvisation | |
| Other Darmstadts | |
| Contemporary performance | |
| Earle Brown: from motets to Mathematics | |
| China and the West : the birth of a new music | |
| Stefan Wolpe | |
| The music of James Tenney | |
| Music of Nicolaus A. Huber and Mathias Spahlinger | |
| Ralph Shapey | |
| Generative music | |
| Aesthetic decisions in computer-aided composition | |
| Exploring music through neuroscience | |
| Virtual scores and real-time playing | |
| Aldo Clementi: mirror of the time 1. | |
| Setting agendas | |
| Impossible music | |
| Recycling and innovation in contemporary music | |
| A life drawn to liberation | |
| Dutilleux at 95 | |
| Creating sound behind the wall : electroacoustic music in the GDR | |
| Aldo Clementi : Mirror of time 2. | |
| Joseph Schillinger | |
| Wandelweiser | |
| (De)composing sound | |
| Cage at 100 | |
| Pedagogical praxis and curricular infrastructure in graduate music composition | |
| Ligeti's later music : sketches, technique and style | |
| Music and philosophy | |
| Resistant materials in musical creativity | |
| Musical research at IRCAM | |
| Zero to four : Modernism and the string quartet 1. | |
| Selected proceedings from the Symposium for performance of electronic and experimental composition (SPEEC2012) | |
| For Morton Feldman | |
| Home: creating and inhabiting place through musical activity | |
| Music and politics | |
| Landscape and music : Perspectives from practice | |
| Music/Text | |
| Gender, creativity and education in digital musics and sound art | |
| Hybridity of practice and aesthetics between electronic dance and electroacoustic musics | |
| Music and ecology | |
| Gesture-technology interactions in contemporary music | |
| "Collaboration" in contemporary music | |
| Timbre | |
| David Bowie | |
| Popular music in Nigeria: language, context and milieu | |
| Network performance | |
| Musik und Sprache: music, language, speech. |